Art can serve as the foundation and purpose for research, providing motivation, context, and methodologies. This approach is often defined as Artistic Research (AR), and its goal is to articulate a framework that positions art both as an object of study and as well as a research process (Candy & Edmonds, 2018; Nelson, 2013). P+ARTS Unframing Knowledge: Artistic Research Beyond Theory and Practice conference aims to explore AR methodologies, its historical developments, and institutional frameworks, particularly in relation to technologies, new ecologies, and performative practices (Elkins, 2009; Hannula, Suoranta, & Vadén, 2014). The conference will discuss the intersections between AR and environmentally conscious practices, automated and artificial intelligence, as well as theatrical, musical, choreutic, and cinematic strategies.
AR methodologies play a crucial role in establishing a robust theoretical foundation for this field of study (Borgdorff, 2011). Considering the diverse array of approaches and methods employed, a potential direction could be the creation of an epistemological framework that facilitates dialogue between artistic and scientific research methodologies. This framework would serve as a link between disciplinary perspectives while fostering a more integrated and comprehensive understanding of AR (Borgdorff, Peters, & Pinch, 2020).
In recent decades, the convergence of visual arts, activism, and environmental practices with technological integration—including machine learning, algorithms, neural networks, various intermedial, multimedia, and transmedial approaches—has profoundly reshaped the institutional landscape of AR (Chatterjee, 2022; de Brugerolle, 2024; Messer, 2024). This transformation had an impact not only its practices but also its education standards, assessment procedures, and long-term academic viability. AR positions itself as one of the possibilities for artists to achieve significant research objectives and outcomes, offering a methodological freedom that fosters innovation while maintaining a systematic approach. Through this interplay, AR challenges conventional disciplinary boundaries, expanding both artistic and research methodologies.
We welcome abstract submissions for papers that critically engage with one or more of the themes listed here below. The conference aims to foster a comprehensive dialogue that addresses both theoretical discourse and contemporary artistic practices. Ultimately, the conference seeks to discuss AR’s current and future trajectories, acknowledging its evolving nature. The overall discussions should then be viewed as contributions to an ongoing discourse rather than definitive conclusions.
Abstracts should be of max 300-words, addressing the conference tracks, particularly those offering innovative perspectives or methodologies.
Abstracts have to be submitted by 18th May 2025. Each abstract should be accompanied by a 100-word narrative author’s biography. Abstracts will undergo a blind review process. Selected abstracts will be announced to authors via email by 10th June 2025 through the ExOrdo platform.