CfP: Revisiting The Post-Ciam Generation: debates, proposals and intellectual framework. Porto, 11-13 April 2019

Call for Papers: Revisiting The Post-Ciam Generation: debates, proposals and intellectual framework. Porto, 11-13 April 2019

International Conference issued by
Architectural Studies research group – Axis: Strong Relations
CEAA | Centro de Estudos Arnaldo Araújo [Arnaldo Araújo Research Center] of Escola Superior Artística do Porto, Portugal

In August 1956, Jose Luis Sert opened the Congrès Internationaux d’Architecture Moderne (CIAM 10), held in Dubrovnik, by reading the well-known message of Le Corbusier in which he justified his absence by claiming the existence of a generational tension. Indeed, the doctrinarian values of modernism — such as functionalism, scientific progress, and rational social planning — that once drove the congress were challenged by a group of young architects and resulted in the emergence of new perspectives. Yet, this “generation” was far beyond from being a homogeneous group both in conceptual and geographical terms.
In Portugal, immediately after that moment, the magazine Arquitectura completely redefined its editorial structure, starting a new edition in early 1957. Gathering a young group of architects, art historians, and critics of art and cinema, this magazine furthered the questions launched at CIAM, thus debating the duties and role of the critic, and scrutinizing the “strong relation” (Vieira de Almeida, 2012) between theory, criticism, history and architectural design.
Some of the actors and the narratives they shaped in this moment of change are widely known in architectural studies. However, the distinct manner of intellectual appropriation and critical reception of this debate in a transnational perspective is a matter that should be re-examined. How was the debate reabsorbed by architectural criticism in different geographical areas? What was its actual impact on the mechanisms of mediation as well as on the profile of the agents of criticism?
This symposium intends to address these questions. The aim is to examine, in a comparative view, the ways in which the same debate was received, discussed and disseminated in different regions, on one hand; and to understand how this moment contributed to a rethinking of the relation between architectural practice and critical production, on the other.
The conference organizers welcome papers that offer new insights on the topic by exploring themes such as: the circulation of ideas and the contribution of different regions to the 1960s and 1970s architectural culture; the relation between architecture and political engagement; the interaction between theoretical-critical production and architectural design; the mechanisms and strategies of dissemination (journals, books, manifestos, movies, documentaries, etc.); the introduction of concepts from other fields of knowledge and the inclusion of social sciences in architecture writing; the critical analyses of the historiography produced on the period.
Proposals for 20-minute presentations in English, which should include:
the title of the proposal, applicant’s identification (name, institution, country, position and email), abstract (up to 300 words), and a short curriculum vitae (up to 100 words).
Proposals must be sent in Word (.doc format) by email to ceaa.g1.e2@gmail.com by 28 September 2018.
More information is available on the conference website.

Share this post

News from the field

ARQ 121: Utopian América

Coined by Thomas More in 1516, utopia holds a telling ambiguity: it means “no place” (ou-topos) but is sufficiently close to “good place” (eu-topos). Since then, the concept has oscillated between aspiration and critique—between imagining radical alternatives and...

Materialities of Empire

Organizers: Irene Cheng, James Graham, Andrew Herscher, Diana Martinez Attention to material has become almost ubiquitous in recent architectural history, both extending and revising a modernist tradition of interest in material innovation and expression. Whether...

Materia Arquitectura 29: CIVICNESS

CIVICNESS: ARCHITECTURE AND THE POLITICS OF THE PUBLIC REALM Guest editors: Anna Livia Friel & Agustina Labarca Gatica The term character in architecture has long been contested. During the 17th century, it was defined as rational manifestation of a building’s...

Plant Histories, Plantation Architectures

Palm leaves loosely thatched create a bushy screen wall. The screen is part of a large building designed to shelter the pieces of other plants and make them dry out quickly. They are tobacco leaves, hanging from the rafters in neat rows swaying in the breeze. Nearby,...