Restoration and Promotion of Architectural Monuments in Central and Eastern Europe in the 19th and First Half of the 20th Centuries

Zürich
Switzerland

International workshop at the Institute for the History and Theory of Architecture, ETH, Zürich, 7-8 July, 2022

Since the early 19th century, on the Dalmatian Coast, in the Carpathian Mountains or on the Hungarian plains, old historical monuments were reconstructed, repainted, or consolidated as part of new collective identities. Artists, historians and writers promoted architectural monuments through restorations, ceremonies, exhibitions or writings. In the process of defining various identities based on notions of shared cultural heritage, restorations played a key role. They were opportunities to change the aspect of monuments, to consolidate or renew decaying buildings, to debate their meaning, write about and promote them, all according to specific purposes or beliefs. Moreover, restorations were also opportunities for international collaborations, for the creation of intellectual networks and of communication channels for ideas about artistic styles, practices and cultural identities. Nevertheless, in spite of their significance, restorations and processes of heritage creation have played a marginal role in histories of modern Central and Eastern Europe.

This international workshop aims to identify some of the methods, actors, ideas and principles behind restoration of architectural monuments and their promotion to a wider public on the territories of the former Russian, Habsburg and Ottoman Empires and their successor states. The focus of the workshop is both on the activity of restoration and on the various mediums for the promotion of architectural monuments, such as exhibitions, new urban layouts, ceremonies, commemorations, re-enactments, artificial lighting, entertainment venues, etc. Central and Eastern Europe is defined by its dual Imperial and national heritage, by many overlapping common histories and by similar social and cultural contexts. Therefore, comparisons, contrasts or parallels are in particular suitable and papers looking at more than one national context are especially welcomed.

Proposals are welcomed from researchers of all levels of experience. The workshop aims to potentially form a network of scholars with similar interests and future publication opportunities will be explored. Please submit an abstract of maximum 300 words along with a brief CV to architecturalmonumentscee@gmail.com by the deadline of 4 April 2022. A decision on the participation will be made by April 18. Participants who do not have access to institutional funding can claim support for travel and accommodation expenses. Please specify when you send in the abstract. The workshop will be held in person (unless subject to unavoidable pandemic restrictions) and based on discussion of pre-submitted papers. Works in progress that invite reflections and feedback are also accepted. Future publication opportunities will be explored.

For any questions please contact Dr Cosmin Minea at minea@arch.ethz.ch

More information and the full call can be found here.

Share this post

News from the field

ARQ 121: Utopian América

Coined by Thomas More in 1516, utopia holds a telling ambiguity: it means “no place” (ou-topos) but is sufficiently close to “good place” (eu-topos). Since then, the concept has oscillated between aspiration and critique—between imagining radical alternatives and...

Materialities of Empire

Organizers: Irene Cheng, James Graham, Andrew Herscher, Diana Martinez Attention to material has become almost ubiquitous in recent architectural history, both extending and revising a modernist tradition of interest in material innovation and expression. Whether...

Materia Arquitectura 29: CIVICNESS

CIVICNESS: ARCHITECTURE AND THE POLITICS OF THE PUBLIC REALM Guest editors: Anna Livia Friel & Agustina Labarca Gatica The term character in architecture has long been contested. During the 17th century, it was defined as rational manifestation of a building’s...

Plant Histories, Plantation Architectures

Palm leaves loosely thatched create a bushy screen wall. The screen is part of a large building designed to shelter the pieces of other plants and make them dry out quickly. They are tobacco leaves, hanging from the rafters in neat rows swaying in the breeze. Nearby,...