Mark Wilson Jones – "Citazione e copia nel progetto d'architettura tra XVIII e XIX secolo" (Brescia, 7 May 2015)

Coined by Thomas More in 1516, utopia holds a telling ambiguity: it means “no place” (ou-topos) but is sufficiently close to “good place” (eu-topos). Since then, the concept has oscillated between aspiration and critique—between imagining radical alternatives and...

Organizers: Irene Cheng, James Graham, Andrew Herscher, Diana Martinez Attention to material has become almost ubiquitous in recent architectural history, both extending and revising a modernist tradition of interest in material innovation and expression. Whether...

CIVICNESS: ARCHITECTURE AND THE POLITICS OF THE PUBLIC REALM Guest editors: Anna Livia Friel & Agustina Labarca Gatica The term character in architecture has long been contested. During the 17th century, it was defined as rational manifestation of a building’s...

Palm leaves loosely thatched create a bushy screen wall. The screen is part of a large building designed to shelter the pieces of other plants and make them dry out quickly. They are tobacco leaves, hanging from the rafters in neat rows swaying in the breeze. Nearby,...

The RIVELAZIONI international conference invites contributions that engage critically with spaces of marginalization, confinement, and invisibility – places that are physically or symbolically denied within contemporary society. These may include prisons, detention...